Over the course of his performing and recording career, John Bullard has invited audiences to share in a transformative revelation: to experience the artistic marriage of banjo and classical music. “Absolutely enchanting,” writes critic Graham Rickson of the UK-based The Arts Desk. “A musical education and experience that broke genre barriers,” noted Morgan Morrison, program director for the performance space The Barns of Rose Hill. As a classically trained musician and the first graduate of Virginia Commonwealth University’s Department of Music to earn a degree in performance with the banjo, John Bullard has established a critically praised performing and recording career dedicated to exploring the artistic marriage of banjo and classical music.
Bullard understands that accepting the banjo—a “folk” instrument with a complex pedigree—into the classical fold is a challenging proposition for traditionalists; the guitar once had to navigate a similar journey to mainstream acceptance. But through three album-length recordings, live performance, and workshops, Bullard continues to introduce the classical banjo to a growing audience worldwide. Bullard’s concert repertoire includes solo, duet, and quartet performances of works from Bach, Vivaldi, Handel and others of the Baroque Period, along with later-period pieces by Schumann and others. More recently, Bullard has begun featuring new work by contemporary American composers, including a Caprice in D minor in the Romantic style, from composer Frank Mullen, and a set of 24 Preludes for Solo Banjo, commissioned from Adam Larrabee. In addition, Bullard is now working on a new collaboration with the genre-fusing composer Joshua Stamper. More information, including recent videos of Bullard in performance, can be found at JohnBullard.com